In a burst of creative energy, Lynch left the second season of his TV show in the hands of his collaborators and went off to make another movie. Lynch had the power to bring outsider art into the mainstream consciousness, and people loved him for it. The name "David Lynch" became a brand associated with all things quirky and strange and cool.
For this first time in his career, this idiosyncratic abstract artist, best known previously for making one of the biggest box office bombs of all time ('Dune'), was a bona fide pop culture icon. That spring, the first season of his television series 'Twin Peaks' debuted to tremendous ratings success and near-universal critical acclaim. His last movie, the controversial 'Blue Velvet', garnered the director an Academy Award nomination and made him a cause célèbre in film circles. At the peak of his career, Lynch delivered one of his weakest efforts – the messy, shallow, needlessly violent and mostly pointless 'Wild at Heart'.īy the summer of 1990, David Lynch was on top of the world. Perhaps Lynch's radical shifts in tone may be unconventional, or his use of symbolism may seem impenetrable, but the work usually conveys a sense that it has some meaning buried within it that demands to be interpreted by each viewer. In the majority of his films, at least in all of the good ones, even the strangest, most surreal elements serve some point or purpose to the greater whole.
Throughout his career, David Lynch has frequently been accused of making movies that are "weird for weird's sake." For the most part, this is a false complaint. "The way your head works is God's own private mystery."
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